Hitchcock: Suspense, Humour and Tone (Distributed for the...

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Hitchcock: Suspense, Humour and Tone (Distributed for the British Film Institute)

Susan Smith

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Explores the director's distinctive style and use of suspense, humor, and tone in such films as "Sabotage," "Notorious," "Psycho," "Shadow of a Doubt," and "The Birds."

카테고리:

년:

2001

판:

2000

출판사:

British Film Inst

언어:

english

페이지:

162

ISBN 10:

0851707807

ISBN 13:

9780851707808

파일:

PDF, 36.23 MB

IPFS:

,

english, 2001

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British Film Institute — Sjght and Sound Film of the Year Special

Robin Wood — Hitchcock’s Films Revisited

David Boyd, R. Barton Palmer — After Hitchcock: Influence, Imitation, and Intertextuality

Sidney Gottlieb — Roberto Rossellini's Rome Open City (Cambridge Film Handbooks)

Peter Gidal — Structural Film Anthology

Rick Altman — Film/Genre

Gary Indiana — Salo or The Hundred and Twenty Days of Sodom (Bfi Modern Classics)

Sarah Street — Black Narcissus: Turner Classic Movies British Film Guide

Paul Gormley — New Brutality Film: Race and Affect in Contemporary Hollywood Cinema

Susan Smith; — Hitchcock

Susan Smith — Hitchcock: Suspense, Humour and Tone

Michael Mirabile; — Edges of Noir

Slavoj Zizek; — Everything You Always Wanted to Know About Lacan (But Were Afraid to Ask Hitchcock)

Steven Rawle;Kevin J. Donnelly; — Partners in Suspense

David Greven — Intimate violence : Hitchcock, sex, and queer theory

Gene Adair — Alfred Hitchcock: Filming Our Fears (Oxford Portraits)

Richard Allen — Hitchcock: Past and Future

D. A. Miller — Hidden Hitchcock

D. A. Miller — Hidden Hitchcock

Richard Allen — Hitchcock's Romantic Irony

William Rothman — Must We Kill the Thing We Love?

Dona Kercher — Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious

Richard Allen — Hitchcock's Romantic Irony

William Rothman — Must We Kill the Thing We Love?: Emersonian Perfectionism and the Films of Alfred Hitchcock

Dona Kercher — Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious

Walter Srebnick — Scripting Hitchcock: Psycho, The Birds, and Marnie

Hitchcock, Alfred; Renoir, Jean; Singer, Irving; Welles, Orson — Three philosophical filmmakers: Hitchcock, Welles, Renoir

David Boyd, R. Barton Palmer (Editors) — After Hitchcock: Influence, Imitation, and Intertextuality

David Greven — Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin

David Greven — Psycho-Sexual. Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin

David Boyd (editor); R. Barton Palmer (editor) — After Hitchcock: Influence, Imitation, and Intertextuality

Sullivan, Jack — Hitchcock's Music

Glen O. Gabbard — Psychoanalysis and Film

Nicholas Haeffner — Alfred Hitchcock

Steven Rawle, K.J. Donnelly — Partners in Suspense: Critical Essays on Bernard Herrmann and Alfred Hitchcock

William Hare — Hitchcock And the Methods of Suspense

Paula Marantz Cohen — Alfred Hitchcock: The Legacy of Victorianism

Alanna Michael Thain — Bodies in Suspense: Time and Affect in Cinema

Skerry, Philip J.; — Psycho in the Shower

Susan Smith — Hitchcock: Suspense, Humour and Tone

Slavoj Zizek [Zizek, Slavoj] — Everything You Always Wanted to Know About Lacan... But were Afraid to Ask Hitchcock

Jonathan Freedman — The Cambridge Companion to Alfred Hitchcock

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